selected criticism in english

Henrike Schmidt, Dubravka Ugrešić’s Baba Yaga Laid Ann Egg, as a female critique of the pan-slavic spa novel. “Russian Literature”, Volume 116, September 2020, Pages 67-97.

Renata Schellenberg,  The Post-Yugoslav Literature of Dubravka Ugrešić. In: The Many Voices of Europe. De Gruyter 2020.

Téa Rokolj, Many A Footnote and Afterword; Dubravka Ugrešić and the Essay. Open Library of Humanities. 4(1), p.31. DOI: http://doi.org/10.16995/olh.202. 2018.
Alison Anderson, Dubravka Ugrešić and Contemporary European Literature Along the Path to Transnational Literature.  WLT January 2017.
Dragana Obradović, Crafting Serious Work Out of Mass Culture: The Early Prose of Dubravka Ugrešić. WLT January 2017.
Emily D. Johnson, Mothers and Daughters: Generational Conflict and Social Change in the World of Dubravka Ugrešić WLT January 2017.
Stijn VervaetUgresic, Hemon and the Paradoxes of Literary Cosmopolitanis: or How to “World” (post-) Yugoslav Literature in the Age of Globalization. In: Komparativna književnost: teorija, tumačenja, perspektive. Beograd: Filološki fakultet Univerziteta 2016.
Dubravka Ugresic’s portfolio in: Music&Literature 6/2015 (Comment on portfolio: The Paris Review, July 24, 2015.
David Williams, “The Loser Bug has made its way into our hearts”: Literature and the Ruins of the Everyday. In: The Everyday of Memory: Between Communism and Postcommunism (ed. Marta Rabikowska). Oxford: Peter Lang 2013.
Nataša Kovačević, Storming the EU fortress: Communities of Disagreement in Dubravka Ugrešić.  Cultural Critique, Vol.83, Winter 2013, pp 63-86; Also in: Uncommon Alliences: Cultural Narratives of Migration in the New Europe. Edinburgh University Press 2018.
Stephenie Young, Transnational Memories and A Post-Yugoslav Writer. In: Transnationalism and Resistance: Experience and Experiment in Women’s Writing (Adele Parker and Stephanie Young, eds.) Amsterdam – New York: Rodopi 2013.
Arnon GrunbergPoshlost Highway: In Praise of Dubravka Ugresic. The Millions, March 20, 2013.
Eva C.KarpinskiPostcards from Europe; Dubravka Ugrešić as Transnational Public Intellectual, or Life Writing in Fragments. The European Journal of Life Writing, Vol 2 (2013).
David Williams, Literary Aesthetic and Ethical Engagement: the End of Yugoslavia and the Fiction of Dubravka Ugrešić. In: Literature and Politics: Pushing the World in Certain Directions (ed.Peter Marks). Newcastle: Cambridge Scholars Publishing 2012.
Katalin SandorThe ‘Other Spaces’ of Exile in Dubravka Ugrešić’s “The Museum of Unconditional Surrender“. Acta Universitatis Sapientiae, Philologica 4,1 (2012).
Richard Byrne, Picking the Wrong Witch. The Common Review, fall/winter 2010/2011.
Stijn Vervaet, Whose Museum? Whose History? Whose Memories? Remembering in the Work of Dubravka Ugrešić, Comparative Critical Studies 8.2–3 (2011): 295–306, Edinburgh University Press, DOI: 10.3366/ccs.2011.0024, British Comparative Literature Association, www.eupjournals.com/ccs.
Dragana Obradović,The Ironic Eternity of Objects in Dubravka Ugresic’s Museum of Unconditional SurrenderRussian Literature LXX(2011) III.
Marija Cetinić, Fragile Pages of Grey Ashes Inoperative archives in Dubravka Ugre i s The Museum of Unconditional Surrender and David Markson s Wittgenstein’ s Mistress. Ejes, 07.04.2010.